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(That’s also the Jay-Z story, so B knows it well.) But that’s the male rapper’s version of this struggle - the ascendant entrepreneur trying to reconcile with the streetwise, marginalized youth still fighting for control of his psyche. (the other hip-hop star who recently tried this split-personality thing) real-versus-fake meant thug-versus-pop star, and ultimately the two were inseparable.
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Dispensing with the idea that the one sharing her name is any more genuine makes it clear that Beyonce has accepted standard thinking about what “real” is for a woman.įor T.I. Her first mistake, noted in other early reviews, was to separate Beyonce from Sasha and give each lady her own disc. But her misplaced worries about authenticity cause Beyonce to make some unfortunate missteps (mostly into the puddle of excess) that often afflict artists in midcareer.
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#BEYONCE ALTER EGO FULL#
“I Am “… Sasha Fierce” (out Tuesday) shows her further refining both of those tendencies, and it’s full of interesting choices. As an artist, she is a role player first - a brainy, often showy interpreter instead of a gut singer on ballads and a brilliantly varied rhythmic innovator on her club hits. Yet because the world of hip-hop soul expects its divas to be “real,” she’s often criticized for seeming distant within her own performances and refusing to expose herself.įor Beyonce, to say that an identity she is not is “revealing who I am” is not a contradiction. A child talent-show winner molded into a pop star by her notoriously driven father, she is a creature of the stage, like Britney and Christina, the pop stars with whom she might have continued to be lumped if her father-figure husband - and, more important, her own “rapperly” vocal gifts - hadn’t helped her secure a spot in hip-hop’s firmament. The contradiction built into that brief comment says much about Beyonce’s artistic predicament. “She’s the party girl, she’s Bootylicious,” says the singer/songwriter/movie-star/mogulista. In the promotional material for her ambitious, somewhat befuddling double album - the deluxe edition, with extra tracks, is currently streaming on her MySpace page - Beyonce Knowles discusses her newly revealed alter ego, Sasha Fierce. Gnarly is a prankster, a grown up Dennis the Menace, who doesn't talk," the insider said of the video, which Green was later forced to apologise for after uproar from fans who thought he'd been seriously injured.Beyonce Is ‘Sasha Fierce’ and she isn’t – East Bay Times Close Menu
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"He was hatching Gnarly Davidson and turning into a superpower. The Post also quotes an insider as saying that Green planted the seeds for his new persona back when he released a faked video last year showing a cell phone exploding in his hand. Jay-Z's Girl is a faithful remake of Rick Springfield's 80s hit Jessie's Girl, rewritten as an ode to Beyonce. Green - sorry, Davidson - dropped some of the fruits of this musical output following the Grammys ceremony this week. is pop music, a lot of it, edgy pop music like his song, F - k me, I'm Famous, Motörhead, a lot of edgy stuff coming out," an insider told the New York Post. "He got the idea to have another personality for a specific kind of music he's doing, so that's why he transformed himself. More than 20 years into his career, Green has invented Davidson as an alter ego to release his new, 'edgy' musical output. Ladies and gentlemen, meet 'Gnarly Davidson'. Like Ziggy Stardust, Sasha Fierce and Chris Gaines before him, CeeLo's undergoing artistic reinvention. It now appears that Green's bizarre get-up on Grammy night - complete with gold body paint and facial prosthetics - was the public debut of a brand new artistic alter ego.